Cal Cashin

Clash Magazine Music News, Reviews & Interviews

Poutine, Angine de Poitrine, And Everything In Between: Barefoot at La Noce festival

The meteoric rise of extraterrestrial math-rock duo Angine de Poitrine has been one of the best stories of 2026. Their 2024 debut gave the costumed Canadian group a cult following, but an electric KEXP session in February and a canny sophomore album cycle has turned them from a psychedelic curiosity into a viral, global phenomenon. Since that session, Angine-mania has taken hold worldwide. Polka-dots have spread across the globe. Planetary triangle takeover. In London recently, tickets for their...

Loud And Quiet

A guide to Wales’ pastoral psychedelia

A kind of music that is wholly its own, the psychedelia of Wales is an entirely unique strain; a colourful lineage has thrived nationwide for generations. From the hallucinogenic folk iconoclasts of the 1970s, through the mainstream zenith of the Super Furry Animals and Gorky’s, right to the present day, where a range of vibrant scenes rage on in spite of everything, Wales is the United Kingdom’s psychedelic hotbed, and, perhaps most excitingly, it has a range of qualities that are uniquely Wels...

Clash Magazine Music News, Reviews & Interviews

A Weekend With the Baltics’ Punks, Experimenters and Iconoclasts

2026’s edition of Tallinn Music Week ensured that the Pearl of the Baltics was alive with the sound of music, for the 18th year in a row. One of the finest events of the festival calendar, it melds masterful curation with sublime setting. 


It’s not just the picturesque, medieval old town that makes Tallinn one of Europe’s must-see capitals, but also the thriving arts scenes – mainstream (need I mention underground rap nerd turned global megastar, Tommy Cash?) but especially the vibrant underg...

Sonemic Interview: Jim O'Rourke

The Quietus

Reissue Of The Week: Circle X’s Prehistory | The Quietus

Much has been written about the Transatlantic fallout of punk rock, with every crevice of the era meticulously scanned in the hope of a lost classic. Whilst Circle X’s fractious run, two albums and two EPs, over a span of seventeen years, might not signify complete unknown status to seasoned crate-diggers, their minimal place in the history books belies their brilliance. 


Formed in 1978, in Louisville, Kentucky – by brothers Rik and David Letendre, alongside Tony Pinotti and Bruce Witsiepe –...

The Quietus

Ethel Cain – Willoughby Tucker, I’ll Love You Forever | The Quietus

Combining the dream pop Americana of Preacher's Daughter with the drones and experiments of Perverts, the Florida-born singer-songwriter-producer may just have come up with her most realised project to date, finds Cal CashinIllinois slowcore band Good Night & Good Morning were criminally underrated during their original lifespan. Their one full length LP Narrowing Type, an enveloping mix of hibernal slowcore, ambient guitar squall and twinkling vibraphone, was released in 2011 without much fanfa...

The Quietus

Visible Mending: Caroline 2 is Our Album of the Week | The Quietus

Youthful London-based post-rock octet take a kintsugi approach to songcraft on their second album, with a little help from Caroline PolachekIn recent weeks I’ve been obsessed with r/visiblemending, a joyously strange corner of the internet. Users of this subreddit don’t simply mend their own clothes, already a revolutionary act in the age of fast fashion, but do so in ways that make their garments look as though they have been amateurishly hand-fixed. Cross stitches in brightly coloured thread,...

The Quietus

tQ Subscriber Release: Ex Agent

At the forefront of an underground British guitar scene that's thriving against all odds, Ex Agent have delivered an idiosyncratic, ever-shifting, and excellent new EP exclusively to tQ subscribersNever did we think it could get this bad. Alongside the frankly evil cost of living, prohibitively expensive rehearsal spaces, and the fact that even finding a grassroots venue in which to make strange noise can be an arduous task, it is a very bleak time to be a young band in the UK. And yet, against...

The Quietus

Arthur Russell – Open Vocal Phrases Where Songs Come In And Out | The Quietus

It is testament to the astral, prolific talent of Arthur Russell that two decades after the first reissues of his archival material garnered widespread acclaim, crystals of such high quality are still being unearthed.


2023’s Picture of Bunny Rabbit and 2019’s Iowa Dream hinted at the depth and breadth of what remains unheard in the Arthur Russell Archives, but it is perhaps surprising that it has taken so long for a high-quality live recording to see the light of day. 2020’s Sketches for Worl...

Loud And Quiet

The Drift #2: Huremic, Hekla, and more

And so we have, quite possibly, arrived out the other end of the longest of winters. For weeks, nay months, it felt like the sun would never shine again. But, dear reader, the gloom is lifting, the dafs are growing, we are so back.Having survived the Ides of March for another year, it is with great pleasure that I can share with you the second edition of The Drift, Loud and Quiet’s number one spot for everything weird, wonderful and avant-garde.If you know where to look (here, here is where you...

Rate Your Music

Sonemic Interview: Black Country, New Road

Rate Your Music

Sonemic Interview: Good Night & Good Morning - RYM/Sonemic

The Quietus

The Evil That Men Do: Cowards by Squid | The Quietus

At the tail-end of the 2010s, Squid emerged alongside Black Midi and Black Country, New Road as part of a golden trifecta for the iconoclastic South London singles label Speedy Wunderground. A real revitalising moment for British guitar music, this trio of spookily young groups combined virtuous musicality with a diverse and incongruous canon of influences to make some of the most exciting and experimental rock music seen on these shores for generations.


Helmed by singing drummer Ollie Judge,...

The Quietus

Reissue of the Week: Violent Femmes’ Hallowed Ground

Violent Femmes’ self-titled debut is one of the most essential American indie rock records of the early 80s, but it’s not the only album by the band you must have in your collection, argues Cal Cashin, as he re-examines its unfairly overlooked follow-up Hallowed Ground 40 years onViolent Femmes self-titled debut album remains a core text of the teenage angst curriculum. It is a perfect document of that very particular feeling of experiencing love, lust and loss for the first time, and it’s still...

The Quietus

Post-Whatever: You Never End by Moin is our Album of the Week | The Quietus

Joined by a slew of collaborators, from Coby Sey to Sophia Al-Maria, the London trio have made one of the most forward-looking guitar albums of the yearThere is something deeply rotten throughout the island of Britain at the moment, and even more miserably so in London, its moribund capital. Everyone I know is depressed; everyone you know is depressed. And every time you venture to a major population centre, it looks like Disco Elysium: everyone there is also depressed. A shared misery, a univer...

Loud and Quiet

Mabe Fratti – Sentir que no sabes - Loud And Quiet

Frighteningly prolific, Guatemala-born Mexico-based avant-garde cellist, composer and dabbler Mabe Fratti has charted so much ground in so little time. Since her 2019 debut album, Fratti has carved out a niche as a genuine one-off, a first-rate explorer and experimenter of bold and blazing sounds.Perhaps that of a Central American Arthur Russell is a lazy comparison, given the difference in the sound of their records, but given their hunger for exploration, prolific peaks and their virtuosity on...

Clash Magazine

Steve Albini Remembered | Features | Clash Magazine Music News, Reviews & Interviews

This one really hurt. The thing about Steve Albini, a man befitting a place on the Mount Rushmore of underground and alternative rock, is that he was a master of many trades. Ingenious producer, demonic rockstar, poker impresario, ran a wonderful cookery blog, and a principled and iconoclastic voice in a world losing its principles and iconoclasts. His name is on the back of over 1,000 albums, and his brazen voice and mechanical guitar tones are all over dozens; Albini is one of the greatest of...

Loud and Quiet

Geordie Greep – The New Sound - Loud And Quiet

To fervent followers of outlier rock trio Black Midi, a breakup courtesy of drifting musical interests might not have come entirely out of the blue. The brilliance of the group’s triptych of studio albums, from 2019 to 2022, seemingly came from the ancient alchemy of three (well, formerly four) highly proficient and creative individuals pulling in different directions – and there’s only so long that the luminous sparks of such chemical reactions can burn. When a collaborative process burns so br...

The Quietus

Reissue Of The Week: Les Rallizes Denudes' CITTA 93 | The Quietus

A narrative is forming around Les Rallizes Denudes that perhaps some of their haunting strength has sprung from the lo-fi quality of their bootlegs. Cal Cashin spends time with the new crystal clear official release of CITTA '93 and finds their sublime avalanche of sound just as addictive as everThe late 1960s was a time of profound counter cultural upheaval in Japan. Much like the West, the first generation of post-War students blew their minds with art, drugs and rock & roll. Amidst this whirl...

Loud and Quiet

O: "Most drummers would be able to pick up juggling" | Loud And Quiet

O golly, O gosh, O boy, O wonder. O can perhaps be compared to contemporaries like Sons of Kemet, who mix their jazz training with thunderous songcraft to create music that is more about momentum and motion than melody and harmony. Indeed, despite connections in London’s fertile jazz scene, O have more in common with dozens of other genres than they do with jazz.  “I did a lot of stuff that I’d say was more in the jazz world,” Keary says, having cut her teeth as part of the Tomorrow’s Warriors i...

Loud and Quiet

Wu-Lu: community spirit, post-genre creativity, and rose-ringed parakeets - Loud And Quiet

Wu-Lu is Miles Romans-Hopcraft, producer, multi-instrumentalist, tamperer, but he doesn’t make all the music on his own. He’s the head chef, with a cast of chefs de partie in the wings. “Sometimes,” he says of his compositional style, “it will be me, in my bedroom, with the MPC, getting all close. That might transpire into something I’ll show to the band – they might play on top of it, or incorporate it into our set.“Or,” he continues, “I’ll get together with the guys, hang out, chilling and jam...

The Quietus

Thirteen Convulsions: Geordie Greep's Favourite Albums | The Quietus

Black Midi frontman Geordie Greep takes Cal Cashin through the thirteen albums that have gripped him the most, from the majesty of Bach to the mania of Léo Ferré Geordie Greep, frontman of precocious noise-rock combo Black Midi, has always been a somewhat elusive and mysterious character. He gives little of himself away in interviews, and his Twitter account is largely dedicated to boxing. This distance often comes across in his lyrics, as he masks himself behind absurdist narratives and cryptic...

The Quietus

If You Know, You Know: An Interview With Iphgenia Baal & Ben Graville | The Quietus

Compliances: A New Fear, from Toothgrinder Press, combines the apocalyptic imagery of photographer Ben Graville and the caustic prose of Iphgenia Baal. Cal Cashin talks to the pair about working together and the depressing state of publishinglife was like that already… now it’s the same only worse

That is the proclamation of London novelist Iphgenia Baal at the start of her latest book Compliances: A New Fear. Part faux-psychology textbook, part fictionalised journal (much like 2017’s Merced Es...

Loud and Quiet

“We pied the Oliver Cromwell Museum” – you have to have fun as a new band, say Lunch Money Life - Loud And Quiet

Apocalypse music. That’s what they called it. When Lunch Money Life released their lurching debut album Immersion Chamber in 2020, they were all too happy to label their bastard inversion of jazz as music for armageddon. But things are a bit more nuanced now.“It feels crass now, in hindsight,” electronics maven Jack Martin would later tell me, about what Lunch Money Life used to brand their work. “I believe in it to the extent that the world is fucked up, and we make fucked up music – not the mo...