Album Review Compendium (2019 - ?)

Rizan Said – Ma Waraa Al-Shaabi (ما وراء الشعبي) / Beyond Shaabi | The Quietus

Despite the fact that I have only been to two weddings in my entire life, I have actually been to a Syrian one. Meridian Water, 2024, sometime in the Spring. The food was to die for. Mountains of tabouleh and vats of houmous (“I never eat anything without houmous,” said a panic-stricken man while they changed the vats). But it was the sounds of the evening, the music that sticks in my mind the most. My dear friend, the groom, arrived with noisy fanfare – the thump of a dozen drums, and the high-...

Eterna – Push | album review

If a band sounds like they're just too cool to care, the lever gets unceremoniously pulled. Sputtering their lyrics a bit too lackadaisically? Playing with too much affected shoddiness? Sauntering, sun-soaked and sleepy, through their songs? Creak, thwomp, thud, they're gone. Not caring is not cool. Caring about the purest possible form of human expression? That’s cool.
Pavement, the one true gods of slacker rock, had a workaround for this, of course. The golden wit of Stephen Malkmus was more t...

Chuck Roth – Texture Songs | album review

I’ve lost count of the number of times I’ve seen a guitarist set up a spaceship-console pedalboard, then proceed to make the most boring music I’ve ever heard in my life. It’s true that oftentimes, the most beautiful guitars sound nothing like guitars – just ask my worn-out copy of Loveless, my battered Blue Bell Knoll – but that doesn’t mean that funnelling your sound through a data centre of effects is a failsafe winner. Bit of reverb? Nice, sure. Little bit of fuzz? Sure. Chorus? Go on, but d...

Review: On '1,2,3,' RIP Magic has murky floor-fillers in abundance

There’s something wonderfully old school about the hype that has propelled RIP Magic’s career thus far. Total frenzy. Whether it’s the Mascara Bar residency sold out on word of mouth alone (before the release of a note of music), tours with Fcukers and Tame Impala, or the Tyler, The Creator and James Murphy stamps of approval on their fuzzy, buzzy demos, RIP Magic’s entire existence has felt like an exciting secret that everybody’s in on. Achieving some of these landmarks in a two-year lifespan...

Ugly – The South Facade | album review

If you’re only just now hearing about a band called Ugly, beloved on the streets of South London, you might have a particular sound and image in mind – but Ugly are ecstatically not a grotty, grimy post-punk posse. When they first burst onto the scene as a callow teenage cadre of King Krule-inspired slackers, their sound owed everything to Bloc Party and nothing to This Heat. Now, ten years on, their easygoing indie-rock ideals have been compromised by the deadliest of all vices: prog.

The Sout...

Cameron Winter – Live at Carnegie Hall | album review

“Nepo babies” whose “fans are all bots,” people mock, while the New York quartet just get on with the business of touring, selling out venues around the world.
And while it's true that the mathy art-rock of Getting Killed turned a lot of heads at indie music’s top table, Geese remain a punchy enough band to hit beyond the hype, elevated by their magnetic, borderline hypnotic singer. In short, it’s all about the nihilistic hunk at the front. For me at least, Geese's innovation, and certainly thei...

Klein – my own fairytale | album review

Ever since Tommy, her scrambled, glitching breakthrough EP released on Hyperdub in 2017, her fractious sound collages – tapestries of steely, shuddering textures and disembodied vocals – have earmarked her as an artist who really gets the paranoia and neuroses of the age in which she is working. Meanwhile, her prankster tendencies have ensured that you simply never know what she’s going to get up to next.
But in spite of the many accolades her music has won her, the legions of famous fans and co...

Starcleaner Reunion – Umbrella | album review

Cooper Edens’ 1979 book The Starcleaner Reunion is an illustrated children’s adventure about a dandyish, top-hatted cohort – the starcleaners – who attempt to restore the darkened night sky with nothing but soapy water and self-belief. It’s the kind of obscure IYKYK story that sticks with you deep into adulthood, all hand-drawn starscapes and galactic whimsy, and so it makes complete sense that the book’s Goodreads page alludes to a “ballet in the works.”
When you name your band, you don’t neces...

Trá Pháidín – Cloch 's Claí | album review

A little under a decade ago, four out of the six players on Cloch ‘s Claí were in a Cork City indie band called Little Indigo. Guitarist Peadar-Tom Mercier recollects that they “would have been the next Fontaines D.C.,” or something, but for one reason or another that didn’t happen. A different beast altogether is the group that rose from their ashes: Trá Pháidín are a band who could never be the next anything – but to you, they could be everything.
One of the most fiercely original groups oper...

Nate Mercereau – Fantastic Thoughts | The Quietus

In 2022, Andre 3000 was beginning work on his solo debut New Blue Sun. It was to be a total left turn from his ‘Hey Ya!’ heyday, and so Three Stacks tasked LA drummer and producer Carlos Niño with assembling a killer jazz ensemble to really get the best out of his flutework. The guitarist Niño brought in would prove crucial, filling the empty spaces with shimmering textures and helping to tie the electroacoustic jams together. “He’s a magician,” Andre 3000 said: “he hardly ever sounds like he is...

Nature Boy: Driving Through Belgium by Anton Pearson | The Quietus

Locked into the grind of city living, it’s easy to feel depressed, isolated, alienated. The world we live in feels so hostile, and it’s all too easy to feel completely disconnected from your peers, your purpose, and, especially the Earth itself. If you’re particularly unlucky, you might see less than a dozen trees and a sole grassy knoll during your daily flat-bus-work-bus-flat strife knot.


It would be naive to say the fatigue and implied hopelessness of modern life are solely down to our los...

Khun Narin Electric Phin Band – III | The Quietus

The tale of the Khun Narin Electric Phin Band is one of the feel-good stories of the global music ecosystem. In 2013, a grainy YouTube video emerged. In glorious 144p, it showed a village in rural North Thailand, where a large psychedelic ensemble were casually easing through a set of wigged-out free rock jams like it was the most natural thing in the world. DIY instruments – most notably a home-made phin (a traditional three stringed lute) run through a circuit of cheap pedals – blasted through...

Sergeant – Symbols | The Quietus

From Belgium, an experimental rock trio unafraid to slice up their own jams with a pair of garden shears and dance merrily amongst the shredsBrussels-based plunderphonic rock band Sergeant’s self-titled 2023 debut saw the band homaging “DJ Shadow in reverse”, splicing and collaging their own wayward jams into avant-pop songs. Jagged little guitars, discreetly flickering beats, and detached, lost-sounding vocals pushed the band towards a phantom pop music, but maybe more of a record of moments r...

My New Band Believe – My New Band Believe | The Quietus

Formerly of Black Midi, Cameron Picton goes all acoustic, but there's no shortage of ideas on the thrilling debut from his latest projectWhilst former bandmate Geordie Greep surged straight into an obvious solo career, just months after the breakup of Black Midi, Cameron Picton took some time out of the game to take stock. He’d spent the first years of his adult life touring the world, and the result was some kind of cocktail of disenfranchisement and exhaustion. With no urge to jump into anothe...

Reissue Of The Week: Circle X’s Prehistory | The Quietus

Much has been written about the Transatlantic fallout of punk rock, with every crevice of the era meticulously scanned in the hope of a lost classic. Whilst Circle X’s fractious run, two albums and two EPs, over a span of seventeen years, might not signify complete unknown status to seasoned crate-diggers, their minimal place in the history books belies their brilliance. 


Formed in 1978, in Louisville, Kentucky – by brothers Rik and David Letendre, alongside Tony Pinotti and Bruce Witsiepe –...

DJ Narciso – DENTRO DE MIM | The Quietus

The Angolan-Portuguese producer's first foray on an international label provides a perfect entrypoint – not to just to one artist's sound, but to the thrilling, pulsating, grinding world of batidaIn countries with a bloody history, built on empire, it has long been the case that migrants, and the children of migrants, from formerly colonised countries are responsible for a disproportionate amount of cutting edge culture. In Britain, the examples are too numerous to recall; from lover’s rock and...

Legss - Unreal | Review | Clash Magazine

“Some people only exist to prang me the fuck out,” decrees the softened Scouse accent of ‘Unreal’’s unreliable narrator Ned Green amidst the hurley-burly of early album highlight ‘Sleepers, Awake’. Amidst the catharsis of its geometric, interlocking guitar rhythms, and bee-in-yer-bonnet brass maelstroms, Green’s spoken-word narrations are cut-glass, surgical observations that glimmer with the same wry wit that scaffolds the best work by Richard Dawson, Neil Blackwell, Chris Morris, etc. He searc...

Ethel Cain – Willoughby Tucker, I’ll Love You Forever | The Quietus

Combining the dream pop Americana of Preacher's Daughter with the drones and experiments of Perverts, the Florida-born singer-songwriter-producer may just have come up with her most realised project to date, finds Cal CashinIllinois slowcore band Good Night & Good Morning were criminally underrated during their original lifespan. Their one full length LP Narrowing Type, an enveloping mix of hibernal slowcore, ambient guitar squall and twinkling vibraphone, was released in 2011 without much fanfa...

Visible Mending: Caroline 2 is Our Album of the Week | The Quietus

Youthful London-based post-rock octet take a kintsugi approach to songcraft on their second album, with a little help from Caroline PolachekIn recent weeks I’ve been obsessed with r/visiblemending, a joyously strange corner of the internet. Users of this subreddit don’t simply mend their own clothes, already a revolutionary act in the age of fast fashion, but do so in ways that make their garments look as though they have been amateurishly hand-fixed. Cross stitches in brightly coloured thread,...

Quade – The Foel Tower | The Quietus

Whenever the very best music that falls into the “post-rock” category comes up, I can’t help but feel that it is all music shaped profoundly by the place in which it was conceived. The jagged music of Slint and Godspeed You! Black Emperor celebrates the weirdness of desolate North American landscapes, whilst listening to the ever-enchanting music of Tortoise, Storm&Stress and Gastr Del Sol conjure a very specific “Chicago sound”.

But does a British equivalent exist? If the answer is yes, there...

Arthur Russell – Open Vocal Phrases Where Songs Come In And Out | The Quietus

It is testament to the astral, prolific talent of Arthur Russell that two decades after the first reissues of his archival material garnered widespread acclaim, crystals of such high quality are still being unearthed.


2023’s Picture of Bunny Rabbit and 2019’s Iowa Dream hinted at the depth and breadth of what remains unheard in the Arthur Russell Archives, but it is perhaps surprising that it has taken so long for a high-quality live recording to see the light of day. 2020’s Sketches for Worl...

Black Country, New Road - Forever Howlong | Reviews | Clash Magazine

During their original run with frontman Isaac Wood, Black Country, New Road quickly earned themselves a feverish and obsessive fanbase. Something about Wood’s raw sprechgesang vignettes, combined with the band’s behemoth post-rock-klezmer-art-punk fusion, really spoke to a lot of people. In many internet music circles, ‘Ants From Up There’ and ‘For the First Time’ remain absolutely core texts.Following Wood’s departure in spring 2022, the six remaining members of BCNR had to do a whole lot of so...

Hesse Kassel – La Brea | The Quietus

La Brea is a truly inexplicable, revelatory debut. Spending 80 minutes with Chilean band Hesse Kassel, and their writhing, scampering, soaring post rock, is as genuinely life-affirming as it gets. It is music of the most cathartic and reinvigorating nature, and an elemental listening experience that makes everything feel new, exciting, and possible. The sextet from Santiago spend most of their debut trawling dark, gristly undertow, but within their sprawling, flowing ten minute songs, they alway...

Ichiko Aoba - Luminescent Creatures | Reviews | Clash Magazine

2020’s monumental ‘Windswept Adan’ was really the album on which Japanese folk singer Ichiko Aoba crystallised a vision she had been working on for the best part of a decade. With the same kind of pastoral folk songs at its core that had defined her career to that point, truly luscious arrangements elevated Aoba’s music from from the pleasant to the boundless and sublime. With her music, and also her Japanese-language lyrics, Aoba conjured a fully realised world far more fantastical, painterly,...
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