Selected Transient Works

A selection of my favourite conversations, reviews, and features

Updated periodically.

Haruomi Hosono has a message from the heart

The first solo record in seven years from Haruomi Hosono – one of the most influential figures in Japanese music – is a stripped-back, sentimental sojourn through the sounds of Brill Building pop, bossa nova, and Beethoven but, as he tells Cal Cashin, his head is firmly in the present. Over half a century into an iconoclastic career, Haruomi Hosono has nothing left to prove. But that doesn’t mean there are no new roads to travel down.

He was still a sociology undergrad at Rikkyo Uni...

The End of the World According to Whom?: Hesse Kassel Interviewed | The Quietus

With a population of almost 7 million crowded into a large Andean basin, Santiago is a metropolis isolated by the world’s longest mountain range. If you look up from the Chilean capital’s main drag, you will see a sky pierced by a patchwork of mountains and skyscrapers – but all the more remarkable is the tremors from below: the sound of the underground.


There are very few music scenes more exciting or inexplicable than what has been dubbed La Nueva Escena Chilena (“The New Chilean Scene”), a...

The Highs are Higher: An Interview with Curbside Lambsear

As caroline's Magdalena McLean and The Umlauts' Annabelle Mödlinger announce their dazzling debut EP as Curbside Lambsear and gear up for this year's Green Man, they tell Cal Cashin about pre-destiny, self-education, and the vulnerability of venturing out from large ensembles The Umlauts’ Annabelle Mödlinger and caroline’s Magdalena McLean will be familiar faces to anyone attuned to the frequencies of London’s many underground music scenes, but their latest project is a delightful left turn. As...

Poutine, Angine de Poitrine, And Everything In Between: Barefoot at La Noce festival

The meteoric rise of extraterrestrial math-rock duo Angine de Poitrine has been one of the best stories of 2026. Their 2024 debut gave the costumed Canadian group a cult following, but an electric KEXP session in February and a canny sophomore album cycle has turned them from a psychedelic curiosity into a viral, global phenomenon. Since that session, Angine-mania has taken hold worldwide. Polka-dots have spread across the globe. Planetary triangle takeover. In London recently, tickets for their...

A guide to Wales’ pastoral psychedelia

A kind of music that is wholly its own, the psychedelia of Wales is an entirely unique strain; a colourful lineage has thrived nationwide for generations. From the hallucinogenic folk iconoclasts of the 1970s, through the mainstream zenith of the Super Furry Animals and Gorky’s, right to the present day, where a range of vibrant scenes rage on in spite of everything, Wales is the United Kingdom’s psychedelic hotbed, and, perhaps most excitingly, it has a range of qualities that are uniquely Wels...

A Weekend With the Baltics’ Punks, Experimenters and Iconoclasts

2026’s edition of Tallinn Music Week ensured that the Pearl of the Baltics was alive with the sound of music, for the 18th year in a row. One of the finest events of the festival calendar, it melds masterful curation with sublime setting. 


It’s not just the picturesque, medieval old town that makes Tallinn one of Europe’s must-see capitals, but also the thriving arts scenes – mainstream (need I mention underground rap nerd turned global megastar, Tommy Cash?) but especially the vibrant underg...

Reissue Of The Week: Circle X’s Prehistory | The Quietus

Much has been written about the Transatlantic fallout of punk rock, with every crevice of the era meticulously scanned in the hope of a lost classic. Whilst Circle X’s fractious run, two albums and two EPs, over a span of seventeen years, might not signify complete unknown status to seasoned crate-diggers, their minimal place in the history books belies their brilliance. 


Formed in 1978, in Louisville, Kentucky – by brothers Rik and David Letendre, alongside Tony Pinotti and Bruce Witsiepe –...

Ethel Cain – Willoughby Tucker, I’ll Love You Forever | The Quietus

Combining the dream pop Americana of Preacher's Daughter with the drones and experiments of Perverts, the Florida-born singer-songwriter-producer may just have come up with her most realised project to date, finds Cal CashinIllinois slowcore band Good Night & Good Morning were criminally underrated during their original lifespan. Their one full length LP Narrowing Type, an enveloping mix of hibernal slowcore, ambient guitar squall and twinkling vibraphone, was released in 2011 without much fanfa...

Visible Mending: Caroline 2 is Our Album of the Week | The Quietus

Youthful London-based post-rock octet take a kintsugi approach to songcraft on their second album, with a little help from Caroline PolachekIn recent weeks I’ve been obsessed with r/visiblemending, a joyously strange corner of the internet. Users of this subreddit don’t simply mend their own clothes, already a revolutionary act in the age of fast fashion, but do so in ways that make their garments look as though they have been amateurishly hand-fixed. Cross stitches in brightly coloured thread,...

tQ Subscriber Release: Ex Agent

At the forefront of an underground British guitar scene that's thriving against all odds, Ex Agent have delivered an idiosyncratic, ever-shifting, and excellent new EP exclusively to tQ subscribersNever did we think it could get this bad. Alongside the frankly evil cost of living, prohibitively expensive rehearsal spaces, and the fact that even finding a grassroots venue in which to make strange noise can be an arduous task, it is a very bleak time to be a young band in the UK. And yet, against...

Arthur Russell – Open Vocal Phrases Where Songs Come In And Out | The Quietus

It is testament to the astral, prolific talent of Arthur Russell that two decades after the first reissues of his archival material garnered widespread acclaim, crystals of such high quality are still being unearthed.


2023’s Picture of Bunny Rabbit and 2019’s Iowa Dream hinted at the depth and breadth of what remains unheard in the Arthur Russell Archives, but it is perhaps surprising that it has taken so long for a high-quality live recording to see the light of day. 2020’s Sketches for Worl...

The Evil That Men Do: Cowards by Squid | The Quietus

At the tail-end of the 2010s, Squid emerged alongside Black Midi and Black Country, New Road as part of a golden trifecta for the iconoclastic South London singles label Speedy Wunderground. A real revitalising moment for British guitar music, this trio of spookily young groups combined virtuous musicality with a diverse and incongruous canon of influences to make some of the most exciting and experimental rock music seen on these shores for generations.


Helmed by singing drummer Ollie Judge,...

Reissue of the Week: Violent Femmes’ Hallowed Ground

Violent Femmes’ self-titled debut is one of the most essential American indie rock records of the early 80s, but it’s not the only album by the band you must have in your collection, argues Cal Cashin, as he re-examines its unfairly overlooked follow-up Hallowed Ground 40 years onViolent Femmes self-titled debut album remains a core text of the teenage angst curriculum. It is a perfect document of that very particular feeling of experiencing love, lust and loss for the first time, and it’s still...

Post-Whatever: You Never End by Moin is our Album of the Week | The Quietus

Joined by a slew of collaborators, from Coby Sey to Sophia Al-Maria, the London trio have made one of the most forward-looking guitar albums of the yearThere is something deeply rotten throughout the island of Britain at the moment, and even more miserably so in London, its moribund capital. Everyone I know is depressed; everyone you know is depressed. And every time you venture to a major population centre, it looks like Disco Elysium: everyone there is also depressed. A shared misery, a univer...

Mabe Fratti – Sentir que no sabes - Loud And Quiet

Frighteningly prolific, Guatemala-born Mexico-based avant-garde cellist, composer and dabbler Mabe Fratti has charted so much ground in so little time. Since her 2019 debut album, Fratti has carved out a niche as a genuine one-off, a first-rate explorer and experimenter of bold and blazing sounds.Perhaps that of a Central American Arthur Russell is a lazy comparison, given the difference in the sound of their records, but given their hunger for exploration, prolific peaks and their virtuosity on...

Steve Albini Remembered | Features | Clash Magazine Music News, Reviews & Interviews

This one really hurt. The thing about Steve Albini, a man befitting a place on the Mount Rushmore of underground and alternative rock, is that he was a master of many trades. Ingenious producer, demonic rockstar, poker impresario, ran a wonderful cookery blog, and a principled and iconoclastic voice in a world losing its principles and iconoclasts. His name is on the back of over 1,000 albums, and his brazen voice and mechanical guitar tones are all over dozens; Albini is one of the greatest of...

Geordie Greep – The New Sound - Loud And Quiet

To fervent followers of outlier rock trio Black Midi, a breakup courtesy of drifting musical interests might not have come entirely out of the blue. The brilliance of the group’s triptych of studio albums, from 2019 to 2022, seemingly came from the ancient alchemy of three (well, formerly four) highly proficient and creative individuals pulling in different directions – and there’s only so long that the luminous sparks of such chemical reactions can burn. When a collaborative process burns so br...

Reissue Of The Week: Les Rallizes Denudes' CITTA 93 | The Quietus

A narrative is forming around Les Rallizes Denudes that perhaps some of their haunting strength has sprung from the lo-fi quality of their bootlegs. Cal Cashin spends time with the new crystal clear official release of CITTA '93 and finds their sublime avalanche of sound just as addictive as everThe late 1960s was a time of profound counter cultural upheaval in Japan. Much like the West, the first generation of post-War students blew their minds with art, drugs and rock & roll. Amidst this whirl...

O: "Most drummers would be able to pick up juggling" | Loud And Quiet

O golly, O gosh, O boy, O wonder. O can perhaps be compared to contemporaries like Sons of Kemet, who mix their jazz training with thunderous songcraft to create music that is more about momentum and motion than melody and harmony. Indeed, despite connections in London’s fertile jazz scene, O have more in common with dozens of other genres than they do with jazz.  “I did a lot of stuff that I’d say was more in the jazz world,” Keary says, having cut her teeth as part of the Tomorrow’s Warriors i...

Wu-Lu: community spirit, post-genre creativity, and rose-ringed parakeets - Loud And Quiet

Wu-Lu is Miles Romans-Hopcraft, producer, multi-instrumentalist, tamperer, but he doesn’t make all the music on his own. He’s the head chef, with a cast of chefs de partie in the wings. “Sometimes,” he says of his compositional style, “it will be me, in my bedroom, with the MPC, getting all close. That might transpire into something I’ll show to the band – they might play on top of it, or incorporate it into our set.“Or,” he continues, “I’ll get together with the guys, hang out, chilling and jam...

Thirteen Convulsions: Geordie Greep's Favourite Albums | The Quietus

Black Midi frontman Geordie Greep takes Cal Cashin through the thirteen albums that have gripped him the most, from the majesty of Bach to the mania of Léo Ferré Geordie Greep, frontman of precocious noise-rock combo Black Midi, has always been a somewhat elusive and mysterious character. He gives little of himself away in interviews, and his Twitter account is largely dedicated to boxing. This distance often comes across in his lyrics, as he masks himself behind absurdist narratives and cryptic...
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